Friday, 11 December 2009
Sketch Studies for a Drawing....vestigial anatomies/vicarious prosthesis
sketch studies for a chronogram-esque drawing, attempting to coalesce futurist ideas of portraying the body in space/time, notions of visceral surfaces and the contrast of anatomical and cartesian geometries. It is also hoped that the drawing will allude to ideas of 'vicarious prosthesis' that generate around limbs, appendages -potentially evoking Mike Webb's Suitaloon, or other 'mobile/personal architectures'.
Tuesday, 8 December 2009
Etymology of an Idea.....
An etymological breakdown of the primary terms/titles/canticles used thus far, to clarify one's own agenda, suggest apparent trajectories or offer tangential potentials.....
Vestigial Anatomies & Vicarious Prosthesis
continue reading....
Vestigial Anatomies & Vicarious Prosthesis
continue reading....
Monday, 7 December 2009
Diaphanous Skins and blurs
skin: The membranous tissue forming the external covering or integument of an animal and consisting in vertebrates of the epidermis and dermis.
epidermis: Anatomy. the outer, nonvascular, nonsensitive layer of the skin, covering the true skin or corium from Latin meaning surface skin and Greek epidermís 'upper skin', Greek dérma meaning skin.
'....one has to understand 'flesh' as an extended meaning of skin and, accordingly, skin not as surface or membrane , but rather like ' a place of minglings', as the English theorist Steve Connor has put it. This implies a sense of three-dimensionality that is manifested through the materiality of skin in which embedded matter, along with a variety of wrinkles, bulges and orifices mark their presence......' (Marcos Cruz, Synthetic Neoplasms, AD Nov/Dec 08)
hypodermis_hyperdermis_cyberdermis
hands. iterations.....moving through space/time
epidermis: Anatomy. the outer, nonvascular, nonsensitive layer of the skin, covering the true skin or corium from Latin meaning surface skin and Greek epidermís 'upper skin', Greek dérma meaning skin.
'....one has to understand 'flesh' as an extended meaning of skin and, accordingly, skin not as surface or membrane , but rather like ' a place of minglings', as the English theorist Steve Connor has put it. This implies a sense of three-dimensionality that is manifested through the materiality of skin in which embedded matter, along with a variety of wrinkles, bulges and orifices mark their presence......' (Marcos Cruz, Synthetic Neoplasms, AD Nov/Dec 08)
hypodermis_hyperdermis_cyberdermis
hands. iterations.....moving through space/time
#1
#2
Thursday, 3 December 2009
somatological slipstreams....photographs mk II
'Movement vision is sight turned proprioceptive, the eyes reabsorbed into the flesh through a black hole in the geometry of empirical space and a gash in bodily form. Vision is a mixed mode of perception registering both form and movement. For it to gain entry into the quasi-corporeal, the realm of pure relationality, it must throw aside form in favour of unmediated participation in the flesh.'
Brian Massumi
Somatological: pertaining to somatology
_ the branch of anthropology that deals with human physical characteristics.
Slipstreams:
_the airstream generating reduced air pressure and forward suction directly behind a rapidly moving vehicle
Slippage: _The act or an instance of slipping, especially movement away from an original or secure place.
_The amount or extent of slipping.
_A decline in level, performance, or achievement.
_Loss of motion or power because of slipping
Wednesday, 2 December 2009
somatological slipstreams....photographs
'the action of energy in the midst of matter......an extreme vision of reality, where everything is merely a transition of energy' Giovanni Lisla
strategy: transcribe the human form in space/time.
tactic: 40 red light emitting diodes affixed at equidistance along one side of the body.
strategy: transcribe the human form in space/time.
tactic: 40 red light emitting diodes affixed at equidistance along one side of the body.
somatological slipstreams....paintings
'the work of art is valuable in so far as it is vibrated by the reflexes of the future' Andre Breton
somatological slipstream I, gouache & ink
somatological slipstream II, gouache
refer to http://simonwinters02.blogspot.com/2009/11/technical-manifesto-of-futurist.html#more
"a fluvial futurism"
The fixed biological body is remapped as a dynamic force field of speeds and intensities, ‘traversed by a powerful, nonorganic vitality’ which includes the mind. (Deleuze & Guattari)
The body-without-organs imagined by Deleuze is ‘affective, intensive, anarchist’ in nature. Amoeba-like, it is open to surrounding matter, which it incorporates.
Thursday, 26 November 2009
Friday, 20 November 2009
sideways in reverse....an adjunct
The 'artefact' I chose for this project was an assembled suit of samurai armour from the British Museum.
Late 16th Century (cuirass and sleeves), 17th Century (helmet), 18-19th Century (remainder)
from http://www.britishmuseum.org/explore/highlights/highlight_objects/asia/s/set_of_armour.aspx
Late 16th Century (cuirass and sleeves), 17th Century (helmet), 18-19th Century (remainder)
from http://www.britishmuseum.org/explore/highlights/highlight_objects/asia/s/set_of_armour.aspx
A Fork in the River
Diversionary tactics.
An effort to expand our horizons and pallette, and remove ourselves from our supposed 'comfort zones'.
brief: IMAGE, AUTHENTICITY AND PERFORMANCE
AS ABOVE, SO BELOW (PROJECT WITHIN A PROJECT)
a saying attributed to polymath, 20th century socialite, latter day alchemist Aleister Crowley and a mantra favoured by the occultists whereby the micro and macro cosmos are seen as the same during the alchemical transformation: " that which is above is the same as that which is below"
Bearing this in mind, you are asked to go to the national gallery/ british museum et al, choose a painting, sculpture, objet d'arte etc and add it as if defining a performative artefact of your very own.
You are to take the paiting/artwork you find but you are not to reproduce it in presenting your artefact. You can add to, remove and replace- you are to create an intervention that describes interests carried through your work so so far as well as 'performance, identity and image'.
An effort to expand our horizons and pallette, and remove ourselves from our supposed 'comfort zones'.
brief: IMAGE, AUTHENTICITY AND PERFORMANCE
AS ABOVE, SO BELOW (PROJECT WITHIN A PROJECT)
a saying attributed to polymath, 20th century socialite, latter day alchemist Aleister Crowley and a mantra favoured by the occultists whereby the micro and macro cosmos are seen as the same during the alchemical transformation: " that which is above is the same as that which is below"
Bearing this in mind, you are asked to go to the national gallery/ british museum et al, choose a painting, sculpture, objet d'arte etc and add it as if defining a performative artefact of your very own.
You are to take the paiting/artwork you find but you are not to reproduce it in presenting your artefact. You can add to, remove and replace- you are to create an intervention that describes interests carried through your work so so far as well as 'performance, identity and image'.
Thursday, 19 November 2009
Tuesday, 17 November 2009
Monday, 16 November 2009
excavation
Chthonic (from Greek χθόνιος — chthonios, "in, under, or beneath the earth", from χθών — chthōn "earth"[1]; pertaining to the Earth; earthy; subterranean) designates, or pertains to, deities or spirits of the underworld, especially in relation to Greek religion.
Greek khthon is one of several words for "earth"; it typically refers to the interior of the soil, rather than the living surface of the land (as Gaia or Ge does) or the land as territory (as khora (χώρα) does). It evokes at once abundance and the grave.
Greek khthon is one of several words for "earth"; it typically refers to the interior of the soil, rather than the living surface of the land (as Gaia or Ge does) or the land as territory (as khora (χώρα) does). It evokes at once abundance and the grave.
Sunday, 15 November 2009
'No Maps for These Territories' (Gibson)
can⋅ti⋅cle
[kan-ti-kuhl]
–noun
1.
one of the nonmetrical hymns or chants, chiefly from the Bible, used in church services.
2.
a song, poem, or hymn esp. of praise.
nine canticles will set the tone for my upcoming investigations. Intentionally ambiguous and tenebrous, they serve merely as beacons in as yet uncharted territories.
_Vagrant Anatomies
_Vestigial Bodies
_Vicarious Prosthesis
_The Visceral and The Visible
_The Invisible and the Indeterminable
_Res Extensa
_Liminal Embodiment
_Techno-Excressence
_Networked Technologies of Nascent Theatres
[kan-ti-kuhl]
–noun
1.
one of the nonmetrical hymns or chants, chiefly from the Bible, used in church services.
2.
a song, poem, or hymn esp. of praise.
nine canticles will set the tone for my upcoming investigations. Intentionally ambiguous and tenebrous, they serve merely as beacons in as yet uncharted territories.
_Vagrant Anatomies
_Vestigial Bodies
_Vicarious Prosthesis
_The Visceral and The Visible
_The Invisible and the Indeterminable
_Res Extensa
_Liminal Embodiment
_Techno-Excressence
_Networked Technologies of Nascent Theatres
Saturday, 7 November 2009
Thursday, 5 November 2009
Monday, 2 November 2009
Sunday, 1 November 2009
Saturday, 24 October 2009
offshoot.....a blog of links
This blog will be a collection of links, images, anecdotes, musings etc, that may or may not be related to my current body of work but are interesting none the less.
http://simonwinters02.blogspot.com
http://simonwinters02.blogspot.com
Monday, 19 October 2009
Lavender hill
I want to walk eternity,In through the land of make believe. And watch the clouds roll over me, And let the sun shine down on me. The only place that I wanna be, Lavender Hill for me.http://www.youtube.com/watch?v=5MnykaXMNlk&feature=PlayList&p=A7BFB9F69A1092C7&playnext=1&playnext_from=PL&index=52
Thursday, 15 October 2009
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